WRiTE CLUB 2020


The world has been turned upside down by tiny virus, no doubt about it, but in a time where social distancing and self-isolation has become the norm, now more than ever we need both reminders that we will return to normal very soon, and something to keep our mind occupied and our thoughts focused on something more positive. In this vein, I give you the return of WRiTE CLUB.

Head on over to the WRiTE CLUB page to find out everything you need to know about this year's contest.

WRiTE CLUB 2020 Needs Your Help!



WRiTE CLUB - the tournament-style writing contest - is back for its ninth year and needs your assistance!

How does WRiTE CLUB work? It's simple. Contestants submit a 500-word sample of their writing (previously unpublished or posted on the internet) and the top 30 submissions are chosen to battle against one another in daily bouts with the winners chosen by the WRiTE CLUB readers. The last writer standing wins free admission to the DFW Writers Conference (among other things).



The backbone of the contest is the work that our slushpile readers put in before the bell rings on the first bout - and that's where we need volunteers. In order to narrow down what is estimated to be 200-225 entries (500-word samples) in a fair and unbiased manner, we need a selection committee of 20 judges (I like to call them my slushpile readers) to read all of the entries and vote for their favorites, which I will then use to select the top 30.

Before you raise your hand, I need to fully explain what you would be volunteering for.  This is a big commitment!  First, you must be open to installing and using Dropbox (a free file sharing program that I will provide complete instructions on how to use). After the submission window opens on March 23rd and closes on April 19th, you will have until May 3rd to read the entries (which equates to the length of a small book), select 30 of what you believe are the best ones -- then rank those 30 in order of most liked.

Most importantly – you cannot be a WRiTE CLUB contestant if you do this. 

One other thing. After the contest is over the applicants who were not chosen to compete in the ring can request a mini-critique from the slushpile readers who are willing - provided the contestants voted in 2/3 of the bouts. Last year that ended up being 30 writers.

The slushpile readers serve as promoters for the contest as well, so you'll need to be willing to hit the social media trail when you can to help raise interest leading up its start. In this vein, we'll hold a couple of Twitter Parties during the open submission window to help spark participation.

So, what do you say?  Interested in helping shape how the competition plays out – without officially participating?  If so, send an email to writeclub2020@gmail.com and I will be in touch.

If you’ve been a slushpile reader in the past, do me a favor and leave a comment below letting everyone what a favorable experience it can be.

Thank you in advance.

DL
Oh…and it’s never too early to start promoting. Submissions for WRiTE CLUB will open on March 23rd. Tell your friends!

Flipping The Script


If you read my previous post (or my Facebook, Instagram, or Twitter feeds) then you know that signing with Tina P. Schwartz of the Purcell Agency just after Christmas has changed my outlook for 2020, but what you don't know is that's only half of it.

As 2019 was drawing to a close I was prepping to self publish my adult mystery/crime novel and now instead I need to begin work on book number two in a YA series. Just about everything about the year ahead has changed - my goals, my outlook, my energy level, and my plan of attack. But that's not the only thing that has changed. 

The manuscript that Tina signed me for was entitled PRICK, which I envision as a three book venture (JERK and TOOL to be the follow ups). The thing is - there are actually two versions of PRICK. Early on I worked with a prospective agent who requested MAJOR changes to the book, which I made, changing the whole arc (and subplot) of the story and pinpointing a different villain. Although I could never quite satisfy that other agent, I spent a lot of time involved in that second version and as a result its the one most fresh in my mind.

Although both versions of the story are strong and each has its strengths, I feel (and so does my wife) that the original version is more emotionally satisfying. So when it came time to sit down for my  pitch session with Tina I made a gut decision and told her about version #1. That's the version she read - fell in love with - and signed me with.

Here's the rub.  Because both versions of the book were so vastly different - that means the follow up will be as well.  Thankfully, I was forward thinking and created two different outlines, but it also means I now need to re-calibrate my brain and re-immerse myself in my original story. That's not a problem because I'm actually looking forward to it.

You see, I'm looking forward to a lot of things these days.

 

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